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Jed Brian

We recently had the opportunity to interview independent filmmaker Jed Brian for our PODCAST, Cinephiles and Cenobites; afterward, Ono had a few other questions regarding pre-production, as it pertains to FOUND FOOTAGE FILMS in particular.

​Jed was gracious enough to answer those queries, and below is the resulting information. We hope you find it as useful as we do.

- Nekko Media
click HERE to listen to the podcast interview.

NEKKO MEDIA: What’s the most challenging aspect of pre-production for a found footage film?

NM: Would you consider pre-production for a found footage film to be more tedious than a regular film?

NM: Do you pre-plan camera movement/shots when filming scenes or do you leave it up to the camera man to decide?

NM: How about the characters within a scene? Are they free to play out a scene or is each move dictated before hitting record?

NM: What keeps a found footage film fresh and entertaining?

Thank you very much, Jed, for your time and insights. Good luck with UNLISTED OWNER.

​We look forward to all your future projects.

You can hit Jed up on social media:

@unlistedowner on TWITTER

@mr.jed_brian on INSTAGRAM
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  • Home
  • Podcasts
    • Cinephiles/Cenobites >
      • Season 01
      • Season 02
      • Season 03
      • Season 04
      • Season 05 >
        • s5ep155
        • s5ep156
  • Blogs
    • FILM REVIEWS >
      • CURRENT Reviews
      • Vintage Vices
    • ON FILMMAKING... >
      • GENERAL
      • FILMMAKER INTERVIEWS >
        • DAMIEN DE BOURGUIGNON >
          • ENGLISH
          • FRENCH
        • RICHARD NEIL
        • JED BRIAN
        • MIG WINDOWS
        • Vincente DiSanti
        • Daniel DeWeldon
        • COVERAGE Ink FILMS
        • Greg Fallon
        • Stephen Biggin
        • Jonathan Patrick Hughes
      • ON WRITING
      • ON RANDOM
    • Ceno_Writes
  • ABOUT
    • The CATS >
      • Mox Atkins
      • Thomas Otterman