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Cocks, Boobies, Blood & Explosions

2/24/2018

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You want to be praised by the 'Art House Crowd'?

Write an obtuse, dialogue-heavy, 99% action-less script and shoot on 16mm film. Include homoerotic scenes, Twenty/Thirty-Somethings looking pallid and introspective, and an ending that abruptly cuts on a broad ambiguous note.
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Want to appeal to the prurient adolescent-minded masses? Grab a rapid monstrous three-day BO [*Box Office] in the high six figure (maybe even seven figure) range? Have young female breasts thinly clothed--or even better uncovered!--bouncing all about, sprinkled throughout your summer blockbuster. Sandwich said scenes in-between frenetic chases, deafening high-energy generic soundtrack, visceral ultra-violent choreographed battles, massive blunderbuss explosions, and quip-y rejoinders.
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Enjoy being the 'toast of Hollywood', lauded by the WGA [*Writers Guild of America] and talked-up at the SAG [*Screen Actors' Guild] Awards? Go on and craft a 'serious film', a 'DRAMA'! Option a 'Name' prose Author's novel, hire a team of experienced professional screenwriters, nab an Auteur Cinematographer, and a host of Famous Actors. Throw in a soundtrack by a Revered Film Composer, a High Fashion Designer, and...you're set!
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Yeah.
We, as Story-tellers and as The Audience, expect a LOT from this specific Art Form. As viewers, we have particular conventions we want and have been conditioned to see. Hollywood (for example) has created, for over a century, classes of movies which fit into 'genres'. Why? Money, to be blunt and yes, overly simplistic.

Genres. 

The "Western". The "Cop Flick". The "Gangster Film". And today, the "Superhero Movie".
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They're "important" for marketing. They make it 'easy' for the Audience to make decisions on what movie they want to view. But, are genres subconsciously subversive? In that those who create and promote genres exercise the power to sway the perceptions of the Audience?
Arguably, one can say that any story told has subversive powers; seeks to present a different perspective for the Audience to consider. In our Modern Era, however, the mass production and consumption of Entertainment has seeped into every facet of our lives; the blurring between 'Reality' and 'reality' has placed intriguing, dangerous psychological pressures on us.

Genres.
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We Human beings have this innate need to place things in labeled boxes.  On a basic level its how we create Order out of Chaos in our surrounding environment. The more complex our world becomes, the more boxes and labels created, the more fractured our perceptions become.
Labels aid in putting context to our lives. When those labels become subverted we Human Beings tend to freak out. To push back against the tide of change. To lash out against the tradition of 'How-things-are'.
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As Story-tellers, I feel, we have the responsibility--inherent in our Craft--to re-write those labels, to over-turn Traditions, to burst out of the enclosure of Genres. The most deeply-affecting tales are unclassifiable; cannot be easily placed in any single category.

So. Whether Story-teller or not, we are all The Audience. Going forward can we, do we, must we sit idly and simply ingest what others believe we WANT to see? Or, as is now the case in our Modern World, can we not only be The Audience but also The Story-maker? 
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We (all of US) have the technology; the processes are not Magic--the average person can create a movie of their own without spending $300 Million dollars. So, is the 'next great revolution' in Story-telling going to be a true evolution? It appears to be. The Gaming World is certainly at this forefront. Web Series, Indie Films, even the old joke of Community Television are providing doors for the average person.
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So to that, to all the people who are NOT film-makers, writers, musicians, or primary artists--this IS your time.  Go out and make your stories. They don't need to be Hollywood quality. They simply need to tell the story YOU want to tell.
Welp, time fer another pint an' dram o'whiskey...

The Carnal Coyote

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Comments

What gets your "dick" raging?

2/19/2018

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So.

​What gets your artistic dick raging?

Male, female, both/neither—what passion burns the core of your soul? Is it watching a particularly awesome TV series or Feature Film? Is it writing a script? Or filming? Or directing? Or...
I’ll tell you what gets my creative cock granite stiff and flag pole-steady: creating worlds, universes; birthing characters, their histories, their families, friends, enemies, environments.  

​It's one of the great pleasures of my life so far, to have this unquenchable, unstoppable craving to keep crafting, molding, and building whole ecosystems which, if built well (and by ‘well’ I mean with thought and complexity), hold many, many tales indeed.
It’s this facet of my writing style (if ‘style’ can be applied here liberally) which informs my scripts as well as my prose works.  I have over forty-plus years of writing—I’m 53yrs old and I literally began scribbling up my little fables and yarns from about the age of three.  

​My mother was an English teacher at an Anglican private school for girls here in Hawaii, as well as the head librarian, and so I’ve had my nose sunk between the folds of books from infancy.  

​From those many influential tales of my early childhood, came this joy in weaving layer-upon-layer onto the lives of the characters whose stories I’ve chosen to tell.
So then, there’s my very quick tally Q to you gentle readers.  What scorches your creative soul? What Art or Arts, their aspects and elements pushes your buttons?

​Share, divulge, cast your own thoughts on the query.


That’s me out mates, time fer ‘nother dram of uisge an’ a few pulls on me pipe—…
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"Indiana Jones meets Lucifer, American Gods, Naked Lunch & Dark City"

Jesus Basuel

A trickster! A huckster! A devil in angel's over-stretched skin, ever-plotting degenerate lurid tales of hyper-erotic debauchery.

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  • Home
  • Podcasts
    • Cinephiles/Cenobites >
      • Season 01
      • Season 02
      • Season 03
      • Season 04
      • Season 05 >
        • s5ep155
        • s5ep156
  • Blogs
    • FILM REVIEWS >
      • CURRENT Reviews
      • Vintage Vices
    • ON FILMMAKING... >
      • GENERAL
      • FILMMAKER INTERVIEWS >
        • DAMIEN DE BOURGUIGNON >
          • ENGLISH
          • FRENCH
        • RICHARD NEIL
        • JED BRIAN
        • MIG WINDOWS
        • Vincente DiSanti
        • Daniel DeWeldon
        • COVERAGE Ink FILMS
        • Greg Fallon
        • Stephen Biggin
        • Jonathan Patrick Hughes
      • ON WRITING
      • ON RANDOM
    • Ceno_Writes
  • ABOUT
    • The CATS >
      • Mox Atkins
      • Thomas Otterman